• Making ninety-six human beings grow where only one grew before. Progress. (p. 6)
  • ‘We also predestine and condition. We decant our babies as socialized human beings, as Alphas or Epsilons, as future sewage workers or future . . .’ He was going to say ‘future World Controllers,’ but correcting himself, said ‘future Directors of Hatcheries’ instead. (p. 13)
  • ‘And that,’ put in the Director sententiously, ‘that is the secret of happiness and virtue—liking what you’ve got to do. All conditioning aims at that: making people like their unescapable social destiny.’ (p. 15)
  • Primroses and landscapes, he pointed out, have one grave defect: they are gratuitous. (p. 21)
  • Imagine the folly of allowing people to play elaborate games which do nothing whatever to increase consumption. (p. 28)
  • The scent organ was playing a delightfully refreshing Herbal Capriccio—rippling arpeggios of thyme and lavender, of rosemary, basil, myrtle, tarragon; a series of daring modulations through the spice keys into ambergris; and a slow return through sandalwood, camphor, cedar and new-mown hay (with occasional subtle touches of discord—a whiff of kidney pudding, the faintest suspicion of pig’s dung) back to the simple aromatics with which the piece began. The final blast of thyme died away; there was a round of applause; the lights went up. (p. 144)
  • One of the principal functions of a friend is to suffer (in a milder and symbolic form) the punishments that we should like, but are unable, to inflict upon our enemies. (p. 155)
  • Helmholtz broke out in an explosion of uncontrollable guffawing. (p. 159)
  • Actual happiness always looks pretty squalid in comparison with the over-compensations for misery. And, of course, stability isn’t nearly so spectacular as instability. And being contented has none of the glamour of a good fight against misfortune, none of the picturesqueness of a struggle with temptation, or a fatal overthrow by passion or doubt. Happiness is never grand.’ (p. 192)
  • God isn’t compatible with machinery and scientific medicine and universal happiness. You must make your choice. Our civilization has chosen machinery and medicine and happiness. (p. 203)
  • ‘But I don’t want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin.’ ‘In fact,’ said Mustapha Mond, ‘you’re claiming the right to be unhappy.’ (p. 208)